What passionate Beatles fan wouldn’t want to cook with the lads? This paper-fiber apron, 16” wide x 30” long with drawstring ties, let fans bring the Fab Four into the kitchen. Manufactured with reinforced stitching and a repeating band portrait print, it remains one of the more fragile surviving textile pieces from the era.

What better way to track homework than under the watchful eye of the Fab Four? Manufactured by Select-O-Pak, this vinyl-covered daily assignment book let students trade boring school supplies for a shiny, Beatles-branded notebook — cutting-edge enough that even the strictest teachers couldn’t object.

Recorded the day after the Beatles’ Ed Sullivan debut and rushed out on Capitol Records within a month, “A Letter to the Beatles” captures a very specific moment of mid-’60s panic. The Four Preps — the West Coast group behind “26 Miles (Santa Catalina)” — watched the British Invasion threaten their own fanbase, and Stu Phillips produced their musical response in real time.

NEMS-licensed calendars came in surprising variety — from a 10”x12” Louis F. Dow “salesman sample” with blank space for advertisers to print their own business info, to an 11¼”x19¾” glossy 1964 edition starting in March with band bios and “How To Write The Beatles” notes. A redesigned 1966 version rearranged the lineup and added musical-note graphics, while Dow’s promotional kits offered vendors six sizes to choose from.

Best known for sports games, Subbuteo pivoted in 1964 to hand sculptor Charles Stadden eight days to craft 2½” figures of the band for “The Pop Stars In Miniature Series.” The UK got standing plastic figures; the U.S. got pin-back versions sold as “Beatles Official Pins,” complete with countertop display cards. UK sales flopped — killing plans for similar Cilla Black or Dave Clark Five figures — but American teens made the pins a hit.

These white cotton-stretch crew socks featured black-and-red top stripes and a 1½” square with headshots of all four Beatles, plus printed foot text confirming “Made Exclusively For SELTAEB, Inc.” Packaged in clear plastic with a cardboard insert whose photos could be cut into wallet-sized keepsakes, they sold for around $1 a pair, advertised separately for boys and girls in sizes ranging from 7 to 13.

This 11” cardboard tube let fans “hum along” to their favorite tunes through a colored flared mouthpiece (red, the rarest of four colors). Manufactured by Louis F. Dow under an NEMS license, the idea actually came from Merrimaker Corp., which traded away broad U.S. rights in exchange for exclusive resale privileges — a deal that later spun off a “Beatles Paper Hat” promo for a Chicago soft-drink bottler.